“First Person Shooter” is a track that exudes confidence, dominance, and lyrical prowess. Collaborating with Drake, the artist uses vivid metaphors and bold statements to assert their unparalleled position in the music industry. This song not only showcases their skill but also addresses themes of competition, criticism, and the artist’s perspective on the current state of rap. Through powerful imagery and reflective insights, the lyrics paint a picture of an artist at the top of their game, unwilling to back down from any challenge. “cooking“
Lyrics
First-person shooter mode, we turnin’ your song to a funeral
To them niggas that say they wan’ off us, you better be talkin’ ’bout workin’ in cubicles
Yeah, them boys had it locked, but I knew the code
Lot of niggas debatin’ my numeral
Not the three, not the two, I’m the U-N-O
Yeah
Numero U-N-O
Me and Drizzy, this shit like the Super Bowl
Man, this shit damn near big as the-
Big as the what? Big as the what? Big as the what?
Big as the Super Bowl
But the difference is it’s just two guys playin’ shit that they did in the studio
Niggas usually send they verses back to me, and they be terrible, just like a two-year-old
I love a dinner with some fine women when they start debatin’ about who the G.O.A.T
I’m like go on ‘head, say it then, who the G.O.A.T.?
Who the G.O.A.T.? Who the G.O.A.T.? Who the G.O.A.T.?
Who you bitches really rootin’ for?
Like a kid that act bad from January to November, nigga, it’s just you and Cole
Big as the what? Big as the what? Big as the what? (Ayy)
Big as the Super Bowl
Niggas so thirsty to put me in beef
Dissectin’ my words and start lookin’ too deep
I look at the tweets and start suckin’ my teeth
I’m lettin’ it rock ’cause I love the mystique
I still wanna get me a song with YB
Can’t trust everything that you saw on IG
Just know if I diss you, I’d make sure you know that I hit you like I’m on your caller ID
I’m namin’ the album The Fall Off, it’s pretty ironic ’cause it ain’t no fall off for me
Still in this bitch gettin’ bigger, they waitin’ on the kid to come drop like a father to be
Love when they argue the hardest MC
Is it K-Dot? Is it Aubrey? Or me?
We the big three like we started a league, but right now, I feel like Muhammad Ali
Huh, yeah, yeah, huh-huh, yeah, Muhammad Ali
The one that they call when they shit ain’t connectin’ no more, feel like I got a job in IT
Rhymin’ with me is the biggest mistake
The Spider-Man meme is me lookin’ at Drake
It’s like we recruited your homies to be demon deacons, we got ’em attending your wake
Hate how the game got away from the bars, man, this shit like a prison escape
Everybody steppers, well, fuck it, then everybody breakfast
And I’m ’bout to clear up my plate (huh, huh, huh)
When I show up, it’s motion picture blockbuster
The G.O.A.T. with the golden pen, the top toucher
The spot rusher, sprayed his whole shit up, the crop duster
Not Russia, but apply pressure
To your cranium, Cole’s automatic when aimin’ ’em
With The Boy in the status, a stadium
Nigga
Ayy, I’m ’bout to, I’m ’bout to
I’m ’bout to, yeah
Yeah
I’m ’bout to click out on this shit
I’m ’bout to click, whoa
I’m ’bout to click out on this shit
I’m ’bout to click, whoa
I’m down to click down you hoes and make a crime scene
I click the trigger on the stick like a high beam
Man, I was Bentley wheel whippin’ when I was 19
She call my number, leave her hangin’, she got dry-cleaned
She got a Android, her messages is lime green
I search one name, and end up seein’ 20 tings
Nadine, Christine, Justine, Kathleen, Charlene, Pauline, Claudine
Man, I pack ’em in this phone like some sardines
And they send me naked pictures, it’s the small things
You niggas still takin’ pictures on a Gulfstream
My youngins richer than you rappers and they all stream
I really hate that you been sellin’ them some false dreams
Man, if your pub was up for sale, I buy the whole thing
Will they ever give me flowers? Well, of course not
They don’t wanna have that talk, ’cause it’s a sore spot
They know The Boy, the one they gotta boycott
I told Jimmy Jam I use a GRAMMY as a door stop
Girl gave me some head because I need it
And if I fuck with you, then after I might eat it, what?
Niggas talkin’ ’bout when this gon’ be repeated
What the fuck, bro? I’m one away from Michael
Nigga, beat it, nigga, beat it, what?
Beat it, what? Beat it, what? Beat it, what? Beat it, what?
Beat it, what? Beat it, what? Beat it, what? Beat it, what?
Beat it, what? Beat it, what? Beat it, ayy, beat it, what?
Don’t even pay me back on none them favors, I don’t need it
Summary
This lengthy excerpt from a song showcases a confident and assertive tone, highlighting themes of dominance, competition, and the artist’s perception of their place in the music industry. Here’s a detailed summary:
The song kicks off with an intense metaphor likening their music to a first-person shooter game, turning the opponent’s song into a “funeral.” This aggressive imagery sets the tone for the track, indicating a no-nonsense approach to competition. The artist claims superiority over those who wish to challenge them, suggesting that their rivals should stick to mundane jobs if they aren’t ready to face the heat.
Asserting their position at the top, the artist references knowing “the code” to success, while others debate their standing. They emphatically declare themselves as “numero uno” (number one), aligning their collaboration with Drake (“Drizzy”) to an event as grand as the Super Bowl. The magnitude of their success is compared to this major sports event, but with a twist—they achieve this with just their studio work, rather than a large team or elaborate production.
The artist critiques other rappers, pointing out that the verses sent to them are often subpar, equating them to the efforts of a two-year-old. They enjoy intellectual debates with women over who the greatest rapper (“G.O.A.T.”) is, confidently encouraging them to acknowledge their superiority.
The song also addresses the constant scrutiny and desire of others to embroil the artist in beef (conflict), which they dismiss as overanalyzing their words. They maintain an air of mystery and hint at future collaborations, such as with YoungBoy (YB), but stress the importance of genuine interactions rather than social media appearances.
FAQs
What is the main theme of the “First Person Shooter” lyrics?
The main theme is dominance and superiority in the music industry, emphasizing the artist’s unmatched skill and confidence.
How does the artist compare their collaboration with Drake?
The artist compares their collaboration with Drake to the Super Bowl, highlighting the grandeur and significance of their joint efforts.
What does the artist say about the quality of verses sent to them?
The artist criticizes the quality of verses sent to them, likening them to the efforts of a two-year-old, indicating they often find them subpar.
How does the artist view their position among other top rappers?
The artist sees themselves as part of the “big three” alongside Kendrick Lamar and Drake, but feels particularly like Muhammad Ali, indicating their belief in being the greatest.
What is the artist’s stance on the current state of rap?
The artist expresses frustration with the current state of rap, longing for a return to lyrical excellence and critiquing the shift towards less skillful content.
Conclusion
In “First Person Shooter,” the artist delivers a potent mix of bravado and introspection, solidifying their status as a top contender in the rap world. By comparing their collaboration with Drake to a Super Bowl event, critiquing the quality of verses they receive, and lamenting the shift in rap culture, the artist makes a compelling case for their unmatched talent and influence. The track serves as a bold declaration of their dominance, a critique of the industry, and a reminder of the lyrical excellence that true hip-hop embodies.
